WELCOME!
to The Actor's Establishment
I am elated to share this experience with you and offer you some insight on the makings of TAE. For as long as I can remember I have always wanted to be an educator. It wasn't until around the age of nineteen that I realized my yearning for education mixed with a touch of entrepreneurship was directed towards the theater. TAE is a culmination of that yearning over the past 18 years. From New York City to Los Angeles and everywhere in between, it has taken hard work, years of training and exploration, ups and downs, stresses and celebrations, and a constant passion for arts education, in making TAE become a reality.
Over the past several years I have thought a lot about this endeavor, now realized as The Actor's Establishment. What I never imagined is that our world would look the way it does in its current state. This pandemic has certainly caused added stress and tension within our families and in our country and I cannot help but think that the arts has done more than it's part to help people escape from the monotony of day to day isolation. It's because of this isolation and a need to do more, that I began working on the conceptualization for The Actor's Establishment. I was teaching an online script analysis workshop, to give my mind something positive to focus on, as well as the creative outlet I so desperately needed when one of the actors in the workshop said to me, "more people need to be doing this kind of work. We need teachers and directors in Los Angeles that ask these kinds of questions and make us actors think more." And so it began.
TAE is an exploratory idea I have had for a while now. It's a combination between an acting company and an acting studio. My goal for TAE is to build an ensemble of actors, passionate and driven by exciting and invigorating work, who are collaborative and eager to learn and train with each other, from each other and through each each other. I believe that actors have the ability to feed each other inspiration and at TAE, my hope is that together we will create an environment of learning conducive to each actor's needs. The workshops, sessions, and coaching TAE offers is open to anyone. I am a firm believer in quality and technical acting training and in creating TAE I want the training to always be at the forefront of what we do. However, with that said, in the training there must be an element of exploration, discovery, and humanity.
Starting something is never easy. It's downright frightening to be honest. Whether it's a research paper, the first lyric of a new song, memorization, a relationship, a move to a new city, or a new job, we all have those moments of fear and self doubt. I have seen the fear and doubt within actors for so many years and I think the conversation needs to be had that acting isn't just about technique or hitting the mark each time. It's about the self. The mind, the body, and the soul.
Stella Adler said "The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind."
Understanding your authentic self along with a comprehension of human behavior is a strong element of TAE's mission. We absolutely teach solid fundamental technique, but what TAE integrates into their teachings is understanding the "why" within the text and our own lives, compassion for oneself, and a respect for working through the process. The Actor's Establishment doesn't just offer actors technique, we create an atmosphere for actors to establish who they are as artists and regain their connection to the work.
I look forward to working with you soon,
Sincerely,
Jason James
what we do
The Actor's Establishment (TAE) was developed as a space for actors to harness their work and to freely express their own creative interpretations. TAE's mission is simple, It's All About Returning To The Work.
TAE creates an environment for actors’ exploration of their individual training needs through sharing knowledge and insight from master teachers in the art of acting. TAE’s focus is on the fundamental core techniques integrated with a deep understanding of script and text analysis, allowing the discovery of circumstances, relationships, and intentions.
Unlike so many other instructional offerings, TAE does not teach one specific method or technique but rather offers a myriad of workshops taught by professional experts trained in a wide range of specific skills. This approach accompanied by qualified instructors allows actors to choose workshops they connect with most while giving them the opportunity to explore new disciplines and vast possibilities. TAE is continually motivated by giving each actor a platform to expand their abilities, discover new avenues of growth, and find or reconnect with the artist within.
TAE is breaking the barriers of arts education and training by helping actors take control of their careers through the return to drama’s classic roots and the calling to dig deeper.
With sessions and workshops ready for your enrollment, come see for yourself why The Actor’s Establishment was created and designed for you. It’s time to get back to the work!
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our training
Come learn among the best at The Actor's Establishment. No matter which workshop or masterclass you choose, you’re well on your way to exceptional training that will provide you with the tools you need in order to succeed.
2021 SESSION
SCHEDULE
SPRING SESSION
February 9 - April 29
MASTERCLASSES
Movement & Analysis Intensive
Understanding Shakespeare
The Business of Acting
SUMMER SESSION
July 6 - August 10
WORKSHOPS
The Audition
FALL SESSION
Sept. 2 - Dec. 9
WORKSHOPS
Acting & Scene Study
MASTERCLASSES
The Business of Acting
(Date TBA!)
All Workshops, MasterClasses, and Coachings will be virtual/online until further notice. Zoom links are sent out the day before your workshop or session via email.
WORKSHOPS
Acting & Scene Study
Script & Text Analysis
Movement for the Actor
ACTING &
SCENE STUDY
Actors will focus on effective collaboration, efficient rehearsal practices, and bringing truth to each performance through analysis, by pursuing text driven, strong, specific actions and intentions, in an approach suitable for each actor. Workshop will cover multiple scenes and/or monologue.
Registration Open
New Session Begins September 2
SCRIPT & TEXT
ANALYSIS
Actors will interpret and discuss analytical approaches to a given text to enhance and hone a performance on stage. Actors will identify the elements of analysis, structure and form, historical and societal conflicts, and how these analytical approaches can impact courageous and bold choices. This workshop will culminate in a reading of a full play.
Registration Closed
New Session Begins September 2
MOVEMENT FOR THE ACTOR
This four-week course will offer experiential introductions to a selection of popular movement-for-the-actor training methods, including Laban Movement Analysis, The Viewpoints, Grotowski Technique, and Commedia dell'Arte. Through a combination of lecture, discussion, and kinesthetic exploration, learners will come away from the course with an embodied understanding of the history, theory, and potential applications in performance of each method.
Registration Closed
New Session Begins September 2
One on One Coaching
One on one coaching is a great way to effectively hone your skills and apply practical tools at your own pace. We look forward to meeting and working with you soon on becoming a more specific, honest, and authentic actor!
One on One Coaching is scheduled on an individual basis and all sessions will take place via Zoom until further notice. Please complete and submit the form below and we will contact you about setting up a day and time for your coaching.
ONE on ONE
COACHING
Coachings are scheduled on an individual basis.
Please fill out the private coaching form below. Be sure to let us know what it is you are looking for in your coaching.
guest artists
Matthew Simpson (Understanding Shakespeare)
Associate Artistic Director, Texas Shakespeare Festival
Matthew is the Associate Artistic Director for the Texas Shakespeare Festival where his directing credits include: As You Like It, Love’s Labour’s Lost, It’s A Wonderful Life: A Live Radio Play, A Christmas Carol Radio Play, and assistant director to the late great Stephen Terrell on Rodgers and Hammerstein's Carousel. For the TSF Roadshow he has directed productions of Hamlet, Julius Caesar, Macbeth, A Midsummer Night’s Dream, Romeo & Juliet, The Taming of the Shrew, and three adaptations of Shakespeare’s Greatest Hits. Other directing credits include: The Black Box Theater in Minnesota, Theatre Longview, and numerous productions at Kilgore College where he serves as a member of the Theatre Faculty. As an actor Matthew has performed in over a dozen plays for TSF as well as productions with the Guthrie Theater in Minneapolis, Denver Center Theatre Company, Chamber Theater Productions of Boston, the Richmond Shepard Theater in NYC, and multiple seasons with the Shakespeare Theatre of NJ and the Delaware REP. Matthew serves regularly as a panelist for the Texas Commission on the Arts to evaluate projects that enhance education and economic development through the arts. He holds a M.F.A degree in acting from the University of Delaware and is a graduate of the American Musical and Dramatic Academy in New York City.
SAnford Meisner
"Acting is the ability to live truthfully under the given imaginary circumstances."
KONSTANTIN
STANISLAVSKY
“Your main task as an actor is technique…technique…and more technique”
UTA HAGEN
“One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.”
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The COVID19 pandemic is not over and there are many artists and actors still struggling to get by. If you are an artist or actor caught between paying your bills and taking class, PLEASE email us! You shouldn't have to make that choice. We are here for you and don't want you to stop your training because of any financial burden.